Films HDLight . “North and South, East and West: Rossellini and Politics”, in. The Italian film industry took shape between 1903 and 1908, led by three major organizations: Cines, based in Rome; and the Turin-based companies Ambrosio Film and Itala Film. Les films de cette période suivis d'un astérisque sont en couleurs. Films ULTRA HD X265. – Garder download-film.club dans ses favoris pour revenir nous voir plus souvent. [10] Popular early Italian actors included Emilio Ghione, Alberto Collo, Bartolomeo Pagano, Amleto Novelli, Lyda Borelli, Ida Carloni Talli, Lidia Quaranta and Maria Jacobini. Films HD. Ils apportèrent en particulier les techniques qu'ils avaient développées comme l'éclairage dramatique et la prise de vue subjective, psychologique. Wood, Michael. Several countries charged Italian studios with exceeding the boundaries of acceptability with their late-1970s Nazi exploitation films, inspired by American movies such as Ilsa, She Wolf of the SS. A still shot from Rome, Open City (1945), by Roberto Rossellini. Vittorio Gassman, Marcello Mastroianni, Ugo Tognazzi, Alberto Sordi, Claudia Cardinale, Monica Vitti and Nino Manfredi were among the stars of these movies, that described the years of the economical reprise and investigated Italian customs, a sort of self-ethnological research. Cliquez sur une vignette pour l’agrandir. L'Inferno, produced by Milano Films in 1911, was the first full-length [definition not clear: it was just over an hour long, so a "medium-length film"?] Bienvenue sur la chaîne YouTube de Boursorama ! We would like to show you a description here but the site won’t allow us. A Don Camillo (The World of Don Camillo) film was remade in 1983, an Italian production with Terence Hill directing and also starring as Don Camillo. There are days when we all just want to cover up our bodies in big, baggy, drab t-shirts. Films Bluray 4K. Cette page vous présente les films comiques, comédies et films drôles. Poetry and cruelty of life were harmonically combined in the works that Vittorio De Sica wrote and directed together with screenwriter Cesare Zavattini: among them, Shoeshine (1946), The Bicycle Thief (1948) and Miracle in Milan (1951). “Rosselini's Landscapes: Nature, Myth, History”, in. Probably the most noted film of the period is Nuovo Cinema Paradiso, for which Giuseppe Tornatore won a 1989 Oscar (awarded in 1990) for Best Foreign Language Film. L'Inferno, produced by Milano Films in 1911, was the first full-length [definition not clear: it was just over an hour long, so a "medium-length film"?] Since its beginning, Italian cinema has influenced film movements worldwide. Pioneering Italian cinematographer Filoteo Alberini patented his "Kinetograph" during this period.[7]. In 1998, Roberto Benigni was the first Italian actor to win for the Best Actor for Life Is Beautiful. The heyday of what was dubbed '"Hollywood on the Tiber" was between 1950 and 1970, during which time many of the most famous names in world cinema made films in Italy. Le film noir apparaît dans la lignée des films de gangsters américains des années 1930, mais des apports stylistiques européens lui ont déjà donné une identité visuelle propre. L'expression « film noir » apparait en 1946 sous la plume du critique français, Nino Frank, dans un article de L'Écran Français, où il constate des points communs entre quatre films américains à thème criminel tournés entre 1941 et 1944, et qui venaient de sortir en France, à savoir Le Faucon maltais de John Huston, Assurance sur la mort de Billy Wilder, Laura d'Otto Preminger et Adieu, ma belle d'Edward Dmytryk[1]. Although Umberto D. is considered the end of the neorealist period, later films such as Federico Fellini's La Strada (1954) and De Sica's 1960 film Two Women (for which Sophia Loren won the Oscar for Best Actress) are grouped with the genre. Superb. Neorealism declined in the late 1950s in favor of lighter films, such as those of the Commedia all'italiana genre and important directors like Federico Fellini and Michelangelo Antonioni. before walking out of the theater. Retrouvez ou découvrez les films que vous aimez en vidéo à la demande (VàD) avec ou sans abonnement, par téléchargement ou streaming, sur votre ordinateur, votre tablette mobile ou votre box grâce à ce moteur de recherche. Early Italian films typically consisted of adaptations of books or stage plays, such as Mario Caserini's Otello (1906) and Arturo Ambrosio's 1908 adaptation of the novel, The Last Days of Pompeii. These comedy films were of little artistic value and reached their popularity by confronting Italian social taboos, most notably in the sexual sphere. They Call Me Jeeg and Fire at Sea were also selected as the Italian entry for the Best Foreign Language Film at the 89th Academy Awards, but they were not nominated.[19]. Visconti's The Earth Trembles (1948) was shot on location in a Sicilian fishing village, and utilized local non-professional actors. “Death becomes Visconti”, This page was last edited on 13 February 2021, at 12:11. [7], During the 1930s, light comedies known as telefoni bianchi ("white telephones") were predominant in Italian cinema. Le terme avait néanmoins déjà été utilisé avant la Seconde Guerre mondiale pour désigner un ensemble de films français appartenant au réalisme poétique[2],[3]. Tous les Films HD. During the 1980s and 1990s, directors such as Ermanno Olmi, Bernardo Bertolucci, Giuseppe Tornatore, Gabriele Salvatores and Roberto Benigni brought critical acclaim back to Italian cinema.[7]. A "film-machine" who produced dozens of titles per year, his repertoire was frequently repeated. Also considered Spaghetti Westerns is a film genre which combined traditional western ambiance with a Commedia all'italiana-type comedy; films including They Call Me Trinity and Trinity Is STILL My Name!, which featured Bud Spencer and Terence Hill, the stage names of Carlo Pedersoli and Mario Girotti. Nowell-Smith Geoffrey Ed : Morandini, Morando. A new generation of directors has helped return Italian cinema to a healthy level since the end of the 1980s. His other well-known films include La Strada (1954), Nights of Cabiria (1957), Juliet of the Spirits (1967), Satyricon (1969), Roma (1972), Amarcord (1973), and Fellini's Casanova (1976). In 2008 Paolo Sorrentino's Il Divo, a biographical film based on the life of Giulio Andreotti, won the Jury prize and Gomorra, a crime drama film, directed by Matteo Garrone won the Gran Prix at the Cannes Film Festival. Films BluRay 720p et 1080p. On the heels of the Peplum craze, a related genre, the Spaghetti Western arose and was popular both in Italy and elsewhere. We would like to show you a description here but the site won’t allow us. Après 1945, les films noirs adoptèrent un aspect néoréaliste, filmant dans des extérieurs urbains (plutôt qu'en studio). www.example.com/joomla/ the robots.txt file MUST be # moved to the site root at e.g. Le film noir est tragique par essence[4],[5]. Following the 1960s boom of shockumentary "Mondo films" such as Gualtiero Jacopetti's Mondo Cane, during the late 1970s and early 1980s, Italian cinema became internationally synonymous with violent horror films. During this time, commedia sexy all'italiana films, described by the film critics of the time as not artistic or "trash films", were very popular in Italy. His films (often with Aldo Fabrizi, Peppino De Filippo and almost always with Mario Castellani) expressed a sort of neorealistic satire, in the means of a guitto (a "hammy" actor) as well as with the art of the great dramatic actor he also was. Films Animation. The winners at the Academy Award for Best Costume Design are Piero Gherardi for La dolce vita and 8½; Vittorio Nino Novarese for Cleopatra and Cromwell; Danilo Donati for The Taming of the Shrew, Romeo and Juliet, and Fellini's Casanova; Franca Squarciapino for Cyrano de Bergerac; Gabriella Pescucci for The Age of Innocence; and Milena Canonero for Barry Lyndon, Chariots of Fire, Marie Antoinette and The Grand Budapest Hotel. Tournant autour de thématiques résolument pessimistes et tragiques, comme la fatalité, l'angoisse, la trahison ou la machination, le film noir est soumis à des codes formels et narratifs qui le caractérisent, comme l'usage du suspense, du flashback, de la voix off ; l'emploi de personnages devenus ensuite des stéréotypes comme la femme fatale, le détective, le weak guy (l'homme faible) ou le couple en cavale ; dans des lieux généralement urbains et souvent filmés en décors naturels et en noir et blanc. Italy is the most awarded country at the Academy Award for Best Foreign Language Film, with 14 awards won, 3 Special Awards and 31 nominations. The Italian winners at the Academy Award for Best Production Design are Dario Simoni for Lawrence of Arabia and Doctor Zhivago; Elio Altramura and Gianni Quaranta for A Room with a View; Bruno Cesari, Osvaldo Desideri and Ferdinando Scarfiotti for The Last Emperor; Luciana Arrighi for Howards End; and Dante Ferretti and Francesca Lo Schiavo for The Aviator, Sweeney Todd: The Demon Barber of Fleet Street and Hugo. “Bernado Bertolucci in context”, in. [11], Among the notable Italian films of the late silent era were Mario Camerini's Rotaio (1929) and Alessandro Blasetti's Sun (1929). Barbara Stanwyckdans Assurance sur la mort, Humphrey Bogart et Lauren Bacalldans Le Grand Sommeil, Lana Turnerdans Le facteur sonne toujours deux fois, Burt Lancaster et Ava Gardnerdans Les Tueurs. Italy is a birthplace of Art Cinema and the stylistic aspect of film has been the most important factor in the history of Italian movies. Ces dernières années, Hollywood a montré un regain d'intérêt pour ce genre, notamment à travers l'adaptation des romans de James Ellroy (L.A. These were French-Italian coproductions, and starred Fernandel as Don Camillo and Gino Cervi as Peppone. L'autre film, la série B, dont le principe avait été mis en place au début des années 1940, n'avait qu'un budget réduit, recourait à des acteurs débutants, disposait de peu d'effets spéciaux et de peu de décors. [5][6] In the early 1900s, artistic and epic films such as Otello (1906), The Last Days of Pompeii (1908), L'Inferno (1911), Quo Vadis (1913), and Cabiria (1914), were made as adaptations of books or stage plays. C'était également ce film qui attirait le spectateur. Due to the success of the James Bond film series the Italian film industry made large amounts of imitations and spoofs in the Eurospy genre from 1964 to 1967. Monicelli's works include La grande guerra (The Great War), I compagni (Comrades, also known as The Organizer), L'Armata Brancaleone, Vogliamo i colonnelli (We Want the Colonels), Romanzo popolare (Popular Novel) and the Amici miei series. The titles are: The Little World of Don Camillo, The Return of Don Camillo, Don Camillo's Last Round, Don Camillo: Monsignor, and Don Camillo in Moscow. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, influenced the horror genre worldwide. # If the Joomla site is installed within a folder such as at # e.g. These films differed from traditional westerns by being filmed in Europe on limited budgets, but featured vivid cinematography. Sophia Loren, Federico Fellini, Michelangelo Antonioni, Dino De Laurentiis, Ennio Morricone, and Piero Tosi also received the Academy Honorary Award. Upon viewing the film, Vittorio Mussolini is reported to have shouted, "This is not Italy!" Italian filmmakers were utilizing complex set designs, lavish costumes, and record budgets, to produce pioneering films. With the release of 1958's Hercules, starring American bodybuilder Steve Reeves, the Italian film industry gained entree to the American film market. The 1952 film Umberto D. showed a poor old man with his little dog, who must beg for alms against his dignity in the loneliness of the new society. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film (the most of any country) as well as 12 Palmes d'Or (the second-most of any country), one Academy Award for Best Picture and many Golden Lions and Golden Bears. Actors such as Lando Buzzanca, Lino Banfi, Renzo Montagnani, Alvaro Vitali, Gloria Guida, Barbara Bouchet and Edwige Fenech owe much of their popularity to these films. Also popular during this period were films about historical figures, such as Caserini's Beatrice Cenci (1909) and Ugo Falena's Lucrezia Borgia (1910). Some, such as Mario Bava's Hercules in the Haunted World (Italian: Ercole Al Centro Della Terra) are considered seminal works in their own right. Srie Anime VOST. Most of the futuristic-themed films of this period have been lost, but critics cite Thaïs (1917) by Anton Giulio Bragaglia as one of the most influential, serving as the main inspiration for German Expressionist cinema in the following decade. Ils ont souligné qu'il était très difficile de définir le film noir, étant donné que le style comprenait plusieurs sous-types. Documentaires. Post-World War II Italy saw the rise of the influential Italian neorealist movement, which launched the directorial careers of Luchino Visconti, Roberto Rossellini, and Vittorio De Sica. The Italian film industry struggled against rising foreign competition in the years following World War I. 2002. Le décor est souvent urbain, et les espaces sont alors restreints (pas d'échappée sur une place ou une grande avenue). Spectacles. The 1916 Manifesto of Futuristic Cinematography was signed by Filippo Marinetti, Armando Ginna, Bruno Corra, Giacomo Balla and others. [13] The film was subsequently banned in the Fascist-controlled parts of Italy. By the end of World War II, the Italian "neorealist" movement had begun to take shape. [14], Gillo Pontecorvo's The Battle of Algiers (1966) is often associated with Italian neorealism.[15]. Thank you for the excellent film! Les éclairages expressionnistes sont fortement contrastés, laissent de larges plans de l'écran dans l'obscurité. Winners with the year of the ceremony: In 1961, Sophia Loren won the Academy Award for Best Actress for her role as a woman who is raped in World War II, along with her adolescent daughter, in Vittorio De Sica's Two Women. 2000. Vidéos. The country is also famed for its prestigious Venice Film Festival, the oldest film festival in the world, held annually since 1932 and awarding the Golden Lion. A collage of notable Italian actors and filmmakers, Peplum (a.k.a. They also allowed the producers of Italian cinema to have enough revenue to produce successful artistic films. The most popular Spaghetti Westerns were those of Sergio Leone, whose Dollars Trilogy (1964's A Fistful of Dollars, an unauthorized remake of the Japanese film Yojimbo by Akira Kurosawa; 1965's For a Few Dollars More, an original sequel; and 1966's The Good, the Bad and the Ugly, a World-famous prequel), featuring Clint Eastwood as a character marketed as "the Man with No Name" and notorious scores by Ennio Morricone, came to define the genre along with Once Upon a Time in the West (1968). Les deux longs métrages n'étaient pas de même qualité ; l'un appartenait à la série A et répondait aux canons esthétiques et moraux de l'époque, une débauche de stars, des décors luxueux et une lumière flatteuse, et donc un budget important. She was the first actress to win an Academy Award for a performance in any foreign language, and the second Italian leading lady Oscar-winner, after Anna Magnani for The Rose Tattoo. Les films noirs mettent souvent en scène des personnages principaux complexes et ambigus, dont le passé est souvent peu reluisant, et des seconds rôles riches et autonomes, en rupture avec les poncifs traditionnels. Colin Blakely performed Peppone in one of his last film roles. [22] The Academy Award for Best Makeup and Hairstyling was won by Manlio Rocchetti for Driving Miss Daisy, and Alessandro Bertolazzi and Giorgio Gregorini for Suicide Squad. La Nouvelle Vague française a été en connexion directe avec le genre du film noir. The Academy Award for Best Film Editing was won by Gabriella Cristiani for The Last Emperor and by Pietro Scalia for JFK and Black Hawk Down. (1932), which was the first Italian film shot entirely on location, and Blasetti's 1942 film, Four Steps in the Clouds. Among the major artistic films of this era were La città delle donne, E la nave va, Ginger and Fred by Fellini, L'albero degli zoccoli by Ermanno Olmi (winner of the Palme d'Or at the Cannes Film Festival), La notte di San Lorenzo by Paolo and Vittorio Taviani, Antonioni's Identificazione di una donna, and Bianca and La messa è finita by Nanni Moretti. Florissant pendant les années 1940 et 1950, ce genre n'a souvent bénéficié que de budgets réduits (série B). Deeds Goes to Town and You Can't Take It with You. Rarelust, you rule mate. Vittorio de Sica' . 3.72GB | 92:28mins | 1184×720 | … 1997. ' Giovanni Pastrone's 1914 film Cabiria was an even larger production, requiring two years and a record budget to produce, and it was the first epic film ever made. upgraded + few more movies recently upgraded to better print/sub or new audio track But not bumped to 1st page adding links here . The French Lumière brothers commenced public screenings in Italy in 1896: in March 1896, in Rome and Milan; in April in Naples, Salerno and Bari; in June in Livorno; in August in Bergamo, Bologna and Ravenna; in October in Ancona;[9] and in December in Turin, Pescara and Reggio Calabria. Sets Opening Records", "Italian Comedy 'Sun in Buckets' Sets New Opening Weekend Sales Record", "Oscars: Italy Selects 'Fire at Sea' for Foreign-Language Category", 49th Academy Awards (Monday, March 28, 1977), 52nd Academy Awards (Monday, April 14, 1980), 55th Academy Awards (Monday, April 11, 1983), Italian Cinema Special, May 2010 issue of, Macaroni Combat / Euro War / Spaghetti War, https://en.wikipedia.org/w/index.php?title=Cinema_of_Italy&oldid=1006539885, Short description is different from Wikidata, Pages using multiple image with auto scaled images, Creative Commons Attribution-ShareAlike License, Bernardi, Sandro. (2016) with €65.3 million.[17][18]. Forgacs, David, Sarah Lutton, & Geoffrey Nowell-Smith, eds. Certains contestent la qualité de film noir à ces films[7]. The original Django was followed by both an authorized sequel (1987's Django Strikes Again) and an overwhelming number of unauthorized uses of the same character in other films. Robbytag says: November 23, 2020 at 10:35 am . Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. 2000. Important examples of telefoni bianchi include Guido Brignone's Paradiso (1932), Carlo Bragaglia's O la borsa o la vita (1933), and Righelli's Together in the Dark (1935). It has been said that after Umberto D. nothing more could be added to neorealism. D'abord ignoré, voire dénigré par la critique américaine, le genre est identifié par la critique cinématographique française à partir de 1946, sous la plume de Nino Frank qui emploie l'expression «film noir», dans un article de L'Écran français, relayé par Jean-Pierre Chartier la même année dans La Revue du cinéma. Giorgio Moroder also won the award for Best Original Song for Flashdance and Top Gun. Mario Camerini began filming the film Don Camillo e i giovani d'oggi but had to stop filming due to Fernandel's falling ill, which resulted in his untimely death. The film was then completed in 1972 with Gastone Moschin playing the role of Don Camillo and Lionel Stander as Peppone. Italian-born filmmaker Frank Capra won three times at the Academy Award for Best Director, for It Happened One Night, Mr. Representative films include: Black Sunday, Castle of Blood, Twitch of the Death Nerve, The Bird with the Crystal Plumage, Deep Red and Suspiria. Another exploit was in 1998 when Roberto Benigni won three oscars for his movie Life Is Beautiful (La vita è bella) (Best Actor, Best Foreign Film, Best Music). 2002. Of the many films telling of Fantozzi's misadventures, the most notable and famous were Fantozzi and Il secondo tragico Fantozzi, but many other were produced. Des techniques inhabituelles, telles que la voix-off ou la caméra subjective, affirment le style noir dont l'influence commence progressivement à se faire sentir sur les grandes productions. Possibly because of this, neorealism effectively ended with that film; subsequent works turned toward lighter atmospheres, perhaps more coherent with the improving conditions of the country, and this genre has been called pink neorealism. Stanley Kubrick est un Scénariste, Réalisateur, Producteur américain. Le film d'horreur, ou film d'épouvante, est un genre cinématographique dont l'objectif est de créer un sentiment de peur, de répulsion ou d'angoisse chez le spectateur. Giuseppe De Santis, on other hand, used actors such as Silvana Mangano and Vittorio Gassman in his 1949 film, Bitter Rice, which is set in the Po Valley during rice-harvesting season. After a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. Ainsi des films de science-fiction, tels que Blade Runner (1982) ou Dark City (1998), répondent quasi-religieusement aux règles du genre noir, de même le film fantastique, Angel Heart (1987). Director Pier Paolo Pasolini's first film, Accattone (1961), shows a strong neorealist influence. Le film noir est un genre ou un style cinématographique, faisant partie de la catégorie du film criminel. Ces dernières années, Hollywood a montré un regain d'intérêt pour ce genre, notamment à travers l'adaptation des romans de James Ellroy (L.A. These directors' works often span many decades and genres. They are also known as polizieschi all'italiana, Euro-crime, Italo-crime, spaghetti crime films or simply Italian crime films. Another popular Spaghetti Western film is Sergio Corbucci Django (1966), starring Franco Nero as the titular character, another Yojimbo plagiarism, produced to capitalize on the success of A Fistful of Dollars. With the approval of Benito Mussolini, this directorate called for the establishment of a town southeast of Rome devoted exclusively to cinema, dubbed the Cinecittà ("Cinema City"). Though the term "neorealism" was used for the first time to describe Luchino Visconti’s 1943 film, Ossessione, there were several important precursors to the movement, most notably Camerini's What Scoundrels Men Are! Also considered part of the trash genre are films which feature Ugo Fantozzi, a character invented by Paolo Villaggio for his TV sketches and newspaper short stories. [7] Many films are still shot entirely in Cinecittà. Dans les années 1950, c'est un « genre » où se réfugient clandestinement (sous pseudonymes ou sans être crédités) des artistes et des techniciens qui ne peuvent plus exercer leur métier officiellement à cause de leur « inclusion » dans la liste noire d'Hollywood (Maccarthysme). Films HDLight 1080p x265. His personal story (a prince born in the poorest rione (section of the city) of Naples), his unique twisted face, his special mimic expressions and his gestures created an inimitable personage and made him one of the most beloved Italians of the 1960s. Perfect Strangers by Paolo Genovese was included in the Guinness World Records as it became the most remade film in cinema history, with a total of 18 versions of the film.[16]. Italian feature film ever made. In 1961 Dino Risi directed Una vita difficile (A Difficult Life), then Il sorpasso (The Easy Life), now a cult-movie, followed by: I Mostri (The Monsters, also known as 15 From Rome), In nome del Popolo Italiano (In the Name of the Italian People) and Profumo di donna (Scent of a Woman). During this period, Mussolini's son, Vittorio, created a national production company and organized the work of noted authors, directors and actors (including even some political opponents), thereby creating an interesting communication network among them, which produced several noted friendships and stimulated cultural interaction. Budgets, to produce pioneering films contestent la qualité de film noir, tournés après cette,... Completed in 1972 with Gastone Moschin playing the role of Don Camillo and Cervi... Night, Mr the Battle of Algiers ( 1966 ) is the Italian term designating mystery and! And Neo-Realism ”, in 65th Academy Awards wins and also Best Screenplay... 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